Thursday, 26 January 2012

Review on Doctor Who christmas special - The doctor, the widow and the wardrobe

Doctor Who final 300x225 Review of Doctor Who ‘The Doctor, The Widow and The Wardrobe’SPOILERS: Do not read this if you have not seen this year’s ‘Doctor Who’ Christmas special ‘The Doctor, The Widow and The Wardrobe’
This year’s Christmas special took inspiration from C.S. Lewis’s classic children’s fantasy ‘The Lion, the Witch and the Wardrobe’. The book served as a jumping point into a wonderful science fiction tale rather than a ‘Doctor Who’ retelling of the story, like last year’s ‘A Christmas Carol’. There were some others references thrown into the mix this year with a creature that looked similar to J.R.R Tolkien’s tree people, the Ents. Tolkien was good friends with Lewis, so this reference may have been intentional. There was even a small reference to the Nativity itself with a bright star which guided Reg Arwell (Alexander Armstrong) back to his family.
Every year the Christmas special comes back with something vastly different to the previous year and usually it proves to be on par if not stronger than the one before. ‘The Doctor, The Widow and The Wardrobe’ had the perfect recipe for a Christmas special. It had a simple story that could be easily understood without too much concentration and as specials go, it avoided being sickly sweet. By the end audiences were likely to be left with a warm glow created by the mixture of comedy, tragedy and general festive cheer that never became overly sentimental.
Bill Bailey, Arabella Weir and Paul Bazely formed a splendid comedy trio and were delightful to watch, particularly during their conflicted deliberations when they discovered Madge Arwell (Claire Skinner) in the forest. Alexander Armstrong took on the role of a World War II pilot but unlike his sweary street slang character from the pilot sketches in ‘The Miller and Armstrong Show’, the stiff upper lip and rude words were dropped in favour of a more neutral accent. Although he did not feature heavily in the episode, much like Bailey, Weir and Bazely, he gave a great performance. The scene where he followed ‘Madge’s star’ through the night was incredibly emotional and tugged on the viewers’ heartstrings.
The other touching moment was at the end of the episode when the Doctor brushed away a stray tear from his face before he joined Amy and Rory for Christmas dinner. Earlier, he told Madge that he couldn’t feel ‘those things anymore’ but it turned out that he was wrong and it is unlikely that this will be the last time we see this Doctor shed a tear. It was lovely to see the Doctor reunited with the Ponds and it is going to make it all the more sad when they make their ‘heartbreaking’ departure.
Something to mull over in the mean time is who the next companion will be. There seems to be a recent tradition of bringing on someone who has been on the show before. Freema Agyeman first starred in ‘Army of Ghosts’ as Adeola Oshodi before she was cast as Martha Jones, while Karen Gillan played a small role as a soothsayer in ‘The Fires of Pompeii’ prior to taking on the part of Amy. Will the new companion be male or female? Will they even be human?



http://blogs.independent.co.uk/2011/12/25/review-of-doctor-who-%E2%80%98the-doctor-the-widow-and-the-wardrobe%E2%80%99/

interview techniques

Interview Techniques

How important is having a good interview ?

  • gain new contacts 
  • mat get a job/work experience 
  • become recommended to others
  • What types of interview are there ? 


  • Magazine - Empire, film
  • Formal
  • Informal - no suit, getting to know basis
  • investigative, promotional 

Do's & Dont's :


  • Do dress appropriately 
  • do be wonderfully polite
  • do smell nice
  • do be confident
  • dont be obtuse 
  • dont make excuses 
  • dont frown or stare 
  • dont be late 
  • do use manners
  • do focus on your positives 
  • do be prepared
  • do have questions 

Monday, 23 January 2012

1.1 pre-production

In Television the term watershed is the time of wich adult content can air.

here you go steve

http://www.watershed.co.uk/get-involved/opportunities/2012-02-01/electric-december-inspiration-day-free-filmmaking-workshop/

Thriller Assignment

The thriller i chose to analyse is "Shutter Island", a film set in 1954 about a U.S Marshal, Edward "Teddy" Daniels and his new partner Chuck Aule who visit the Ashcliffe hospital for the criminally insane on shutter island to find a missing patient.
The film is aimed at adults but is rated 15, it is rated this because the film has a heavy theme of murder, psychotic behavior and paranoia, but not an over the top use of expletives and violence.
The conventions of a phsychological thriller are all used in this, the build up of tension through the music and images, lighting, the threat of death being suggested, deception, obtrusive editing, flashbacks.
All of these tools are used to help build tension for the audience,  flashbacks are used to show an insight into the charactes background and help you understand what drives them in the story, for example in shutter island Teddy doesn't have actual flash backs but he has dreams related to his past. Similarly the constant feeling of Teddy being decieved by the head doctor, Dr. Cawley, helps in building the tension between the characters and drives the story while continuing the theme of paranoia. Toward the end of the first half of the film the two marshals suspect a part of the island to be housing medical experiments, with it being set in the 50's the transorbital labotmy was starting to be used in asylums, this suggests a threat of death (or a state worse than) to the characters. Throughout the film the music is a main tool in use of elevating the tension, its orchestral so lots of strings and trumpets, even when there is no music playing at all, the island feels eery, almost deserted at times. During the begining of the film quick cuts are used frequently to amplify the feeling of being locked or trapped on the island giving the audience the feeling of anxiety and slight panic.

Shutter Island has a chronological narrative with an element of anachronic order, i think this becasue throughout the film, its all in order, but the dreams he has are almost like flashbacks, and the final twist has quite a large flashback wich is crucial to the narrative. There are a number or turning points wich keep the audiences focus and keep them guessing, for example the first turning point is when Dr. Cawley informs them that Rachel (the missing patient) has returned, but no one told them, she just appears which makes you think that no one is being truly honest with the marshals. The second turning point would be when Teddy climbs down a cliff  after his partner who fell, as he gets down there chuck has vanished, Teddy attempts to climb back up but is distracted by a glowing cave, when he reaches the cave he meets the real Rachel, a former doctor of the hospital who was declaired insane by the chief doctor. The final twist was when Teddy stormed into the lighthouse where he thought the experiments were happening and found nothing but Dr. Cawley at a desk, Dr. Cawley explains to Teddy that he has been a patient at the hospital for a  number of years, and this whole thing was an ellaborate roll play to help snap him out of his psychosis. It is at this point when Teddy has the flash back wich explains what really happened to his wife and children and why he is at Ashcliffe.

Thursday, 12 January 2012

Thriller notes

Research techniques for creative media industries

Purpose
  • to provide evidence and support your chosen topic
  • credible, accurate and authentic
  • can be trivial and have a sense of humour but still matter of fact
  • interviews with experts
  • equations/ graphs/ percentages
  • articles/ documentation


Different Character Types :

Protagonist: Good guy
Antagonist: Bad guy
Dramatic irony - when the audience knows more than the protagonist

Character archetypes
Handicapped Protagonist:
Paul Sheldon - Misery (Physical)
Leonard Shelby - Memento (Mental)

Picaresque: uses wits and charms to escape problems (Bond)

Unaware Hero - Become involved in plot by accident (Mistaken identity)

Unreliable narrator - Cant believe everything the narrator says, biased

Conspiracy theories - usually governments or big corporations
manipulators

criminals - murderers, assassins, kidnappers

Handicapped antagonist - deformed

Absent Villain
Supernatural